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Although the gallery may not be my primary focus, it serves as a platform for sharing the breadth of my other artistic expressions. I also believe that art has the power to inspire, connect and transform communities.
I would also like Puretique to platform the incredible talent of local artists from Manitoulin.
Explore the collection of art, where each piece tells a unique story and reflects the diverse perspectives of these featured artists. I appreciate these local artists and give them my platform that shape our community.
*** Images are provided for reference only. Due to differences in monitors, devices, and lighting conditions, the colours of the artwork may vary from what is displayed online.
Perry Patterson, a proud Haweater from Mindemoya, draws inspiration from the vibrant tapestry of life around him. The rhythms of nature deeply resonate in every piece he creates.
His artistic journey is one of perpetual exploration. He cherishes the process as much as the finished work, allowing each creation to organically evolve through layers of observation, interpretation, and intuition. This approach keeps his practice fresh and opens new dimensions of understanding, both of his subjects and himself. Through constant experimentation, he seeks the freedom to let each subject speak through his most authentic artistic voice. This ever-evolving philosophy ensures his work remains honest and his spirit alive in the ongoing journey of creative discovery.
Gore Bay
Pam Jackson is a visual artist with a decade of experience in drawing and painting, often drawing inspiration from her home on Manitoulin Island. After studying with established artists from the Northeast and beyond, including Cathy Boyd and Sophie Edwards, she has embraced oil painting as her preferred medium.
Pam’s work reflects her deep concerns about environmental transition, community building, and the life of the spirit, addressing the complexities of existence through her art. Currently, she is honing her skills in Alla Prima painting under the mentorship of Chelsea Lang, with a strong focus on realism in portrait painting. Her dedication to her craft and her unique perspective contribute to the richness of her creative expression.
Little Current
Oil on Linen
6" x 6"
Inv #39
C$72
Ray Bernstein (1958-2024) known locally for his "Mother Earth's Garden". "The Law is living word of living God to living prophets for living men. In everything that is life is the law written. You find it in the grass, in the tree, in the river, in the mountain, in the birds of heaven in the fishes of the sea, but seek it chiefly in yourselves."
- The Essene Gospel of Peace
Oil On Linen
6" x 6"
Inv #40
C$72
Learning to paint from life. Gary is a very thoughtful and cooperative subject. Painted Alla Prima in one sitting.
Oil On Linen
6" x 6"
Inv #43
C$72
Connie St. Pierre was painting herself at the time I painted this from life at the NEMI Painterspace
Oil On Linen
6" x 6"
Inv #50
C$72
This is a memory of a unique period in the subjects' youth spent serving in the Canyonlands.
Oil On Linen
6" x 6"
Inv #43
C$72
A family is a nation in miniature. The conditions surrounding the family surround the nation.
- 'Abdul'-Baha
Sophie Anne Edwards (she/her/settler) is an environmental artist, geopoet and curator of English and French descent based on Mnidoo Mnising (Manitoulin Island), northeastern Ontario. A geographer (SSHRC funded, PhD Candidate, Queen’s U) she is interested in the spatial imaginary, geopoetics, creative field research, and the possibilities of interspecies collaboration. Through her field- and installation-based practice she engages with the complexities of local ecosystems (social, cultural, historical, colonial, environmental).
Kagawong
CONVERSATIONS WITH THE KAGAWONG RIVER
A site-specific engagement with an ecosystem of Mnidoo Mnising (Manitoulin Island), Conversations with the Kagawong River raises the possibility of collaboration with the more-than-human. The author spent several years learning to listen to the Gaagigewang Ziibi (Kagawong River) and to follow the rhythms and patterns of its flora and fauna, the weather and the water. She invited the participation of various collaborators – woodpeckers, otters, currents, ice, grasses. The resulting poems, supported by local Elders, language speakers, and historians, make visible the colonial, environmental, and social processes that construct an ecosystem and (settler) relationships to it.
SIGNED COPY
C$24.95
A MOUTH OF VOWELS
This novel visually and narratively lives within the footnotes. The dominant story — of the husband, the abuser — is erased, visually blank apart from a few irruptions that invade the white space above the footnotes.
Trying to establish stability and meaning, a woman gathers and unravels a litany of distances, measurements, checks and balances. Sounds and scents are mixed in a form of post-traumatic synesthesia. Time is collapsed into a basket of humming vowels.
The typical function of the footnote as a reference bringing the reader toward deeper understanding of the main text is subverted. The narrator inserts herself in its spaces, while the reliability of the footnote and of its narrator become increasingly unstable. Her tangling and untangling narrative shifts back and forth as memories intrude on her day-to-day domestic tasks. The narrative becomes increasingly fragmentary, coalescing with the sound of a gunshot as a hunter takes down a deer.
This is a book for readers who love language, experiments with form, and a character they can get behind.
C$24.10
Heather
Oil
Oil
Oil
As you view this natural landscape, Erin invites you to consider three realms—physical, emotional and spiritual—which connect you to the natural world.
Allowing yourself the gift of contemplation, to observe and respond, can provide you with a personal moment of creativity.
Providence Bay
Wind and Water's erosion
14" x 14"
C$150
Aged Bark
14" x 14"
C$150
Wood and Fungi
14" x 14"
C $150
Salmon's offering
14" x 14"
C $150
Wing shape sculpted by Lake Huron
14" x 14"
C $150
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